Hong Kong Maritime Museum Jockey Club Anchor Plaza is now offcially opens to the public.

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Introduction
The 2026 International Symposium on “Chinese Export Art,” hosted by the Hong Kong Maritime Museum in collaboration with the Department of Chinese and History, City University of Hong Kong, will take place on October 12 and 13 2026, in Hong Kong. This event builds on the success of the 2025 International Symposium organised by the School of Art and Archaeology, Zhejiang University, Hangzhou, China.
This two-day symposium, inspired by Hong Kong’s position as a cultural hub between East and West, aims to bring together people from the Asia Pacific region and the West to explore diverse themes, share research, and foster dialogue. It seeks to broaden the discussion of Chinese export art beyond the traditional East/West framework by examining China’s export art trade within the Asia Pacific region and its competitive relationships with other countries.
Hong Kong, as a unique confluence of Eastern and Western cultures, offers an ideal setting for meaningful exchange. The symposium will address broad themes related to the global circulation of Chinese art goods and their influence on tastes across social classes in both the West and Asia Pacific. It encourages researchers to investigate the Asia Pacific export art trade in greater depth, shifting the focus away from Europe alone.
An important feature of the symposium is the encouragement of early career researchers to submit papers, showcase their work, and engage with specialists in the field.
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Theme: Global Cultural Dialogue Through Chinese Export Art
Global Circulation and Cultural Adaption
Scope: How Chinese export art goods circulated globally, shaping tastes across social classes in both the West and Asia Pacific.
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How Chinese export art commodities shaped overseas tastes, not just for wealthy people, in the West and the Asia Pacific region.
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Exploring Chinese art being copied overseas for domestic markets, rich and poor.
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How foreign tastes influenced export art being traded overseas in terms of art, design, subjects depicted.
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How was this facilitated and by whom?

